Article Friendly article publishing script homepage.
Translate Page To German Tranlate Page To Spanish Translate Page To French Translate Page To Italian Translate Page To Japanese Translate Page To Korean Translate Page To Portuguese Translate Page To Chinese
  Number Times Read : 35    Word Count: 313  
Categories

Arts-&-Entertainment
Business
Communications
Disease-&-Illness
Electronics
Fashion
Finance
Food-&-Beverage
Health-&-Fitness
Home-&-Family
Internet-Business
Military
Other
Politics
Product-Reviews
Recreation-&-Sports
Reference-&-Education
Root-Category
Science-&-Technology
Self-Improvement
Society
Travel-&-Leisure
Vehicles
Writing-&-Speaking
 
Stats
Total Articles: 182647
Total Authors: 31709
Total Downloads: 3749316




 


   

Martina-Steckholzer-Paintings-and-Exhibitions-at-the-Saatchi-Gallery



[Valid RSS feed]  Category Rss Feed - http://www.acmearticles.com/rss.php?rss=140
By : Sandeep Tyagi    29 or more times read
Submitted 2007-09-08 00:00:00
Martina Steckholzer’s paintings offer a poetic ambience suggesting an infinite nothingness of space. Working from video footage filmed in art galleries, air fairs, studios, and museums, she isolates frames that capture the in-between spaces, unusual angles, and overlooked vantages of familiar generic places. Translated into paintings, these images become dislocated into virtual fields: flat canvases projecting abstracted illusions of line, shape, and tone replay the experience of gallery within the gallery, mirroring the hallowed white cube as sublime aesthetic.Martina Steckholzer’s Maybe We Should is a mere insinuation of landscape. Reduced to a series of black gestures on a white ground, Steckholzer’s canvas resounds with a strange absence. Referencing the high contrast of photo media, Maybe We Should occupies an unexpected space as a painting: cropped as if a screen, its stark contrast replicates an ethereal light. Fractured by her attenuate mark-making, the suggestion of image hovers with brittle fragility.Martina Steckholzer’s Neon uses only grey hues to further minimalise her architectural subjects; as the recognisable melts away through delicate layers of paint, only the empty inference of space remains. In Neon, Steckholzer uses the malleable quality of her medium to reflect phantasmal tricks of light, her graphic image dissolves into subtle hand-made gestures. Cut through with black forms, Neon gives the sensation of both solidity and weightlessness, creating an ephemeral expressionism from the cold rationality of photographic media.

Martina Steckholzer’s Neon uses only grey hues to further minimalise her architectural subjects; as the recognisable melts away through delicate layers of paint, only the empty inference of space remains. In Neon, Steckholzer uses the malleable quality of her medium to reflect phantasmal tricks of light, her graphic image dissolves into subtle hand-made gestures. Cut through with black forms, Neon gives the sensation of both solidity and weightlessness, creating an ephemeral expressionism from the cold rationality of photographic media.
Author Resource:- If u want to know more about Martina Steckholzer paintings, biography, solo exhibitions, group exhibitions and resource of Martina Steckholzer. View Martina Steckholzer artwork online at The Saatchi Gallery - London contemporary art gallery.Martina Steckholzer
Article From Acme Articles

HTML Ready Article. Click on the "Copy" button to copy into your clipboard.




Firefox users please select/copy/paste as usual
New Members
select
Sign up
select
learn more
Affiliate Sign in
Affiliate Sign In
 
Nav Menu
Home
Login
Submit Articles
Submission Guidelines
Top Articles
Link Directory
About Us
Contact Us
Privacy Policy
RSS Feeds

Actions
Print This Article
Add To Favorites

 
Sponsors

Purchase this software